Charlotte Meyer is an artist, art historian, and writer whose work bridges creative practice, curatorial leadership, and critical research. Rooted in an exploration of repair and displacement, her work moves between studio practice, institutional stewardship, and writing to examine how art can serve as both a site of reflection and reconstruction.

Her interdisciplinary practice engages repair as a site where embodied cognition, memory, and language intersect. In this space—between cognition and a sense of displacement—her work interrogates how histories are constructed, internalized, and reimagined. The condition of being out of place compels a continual act of repair: to reconsider, to reinvest, and to return.

From 2022 to 2025, Meyer served as Executive Director and Director of Programming at the Rema Hort Mann Foundation, which provides direct financial support to emerging artists and cancer patients through its grantmaking programs. There, she curated exhibitions and administered grants for artists and community-driven initiatives, including the Foundation’s inaugural alumni exhibition co-curated with artist and Ortega y Gasset Projects founder Leeza Meksin, featuring Sanford Biggers, Virginia Overton, and Alison Janae Hamilton. In 2025, she secured support from Artis Contemporary to advance projects by artists from Israel, with emphasis on diasporic and marginalized narratives, as well as a Cultural Program Exhibition Grant from the City of New York to develop public programs centered on artist storytelling and community dialogue.

Earlier in her career, Meyer contributed to education and interpretive programming at Judd Foundation, where she broadened access to Donald Judd’s legacy through public tours and research initiatives, including the development of a guide training program ahead of Judd’s 2020 MoMA retrospective. At NeueHouse and the Rhode Island School of Design, she curated exhibitions, talks, and workshops that bridged artistic and civic audiences. Her research and writing—spanning projects with NuMu (Nuevo Museo de Arte Contemporáneo) in Guatemala and Voices of Contemporary Art—reflect a sustained engagement with global visual culture, critical pedagogy, and artist archives. Her oral history work with NuMu centered on artist-led narratives of migration, resilience, and alternative institutions, shaping a curatorial ethos grounded in accessibility and long-term impact.

Meyer’s leadership is rooted in her own artistic practice. She has participated in residencies at the John Michael Kohler Arts Center, Pilchuck Glass School, and the Creative Glass Center of America—formative experiences that deepened her respect for experimentation and the infrastructures that sustain creative risk.

She received her MFA in Sculpture from Pratt Institute, where she was awarded the Joan Mitchell Foundation MFA Grant, and holds a BA (Honors) in Embroidery from Nottingham Trent University, England. Meyer has been a Visiting Scholar at the Dedalus Foundation, a Visiting Critic at the Rhode Island School of Design, and a Contributing Writer for Voices of Contemporary Art (VoCA).